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Hi, how fast are you capable to implement a new digital camera support? When a new camera or a new codec or a color science enters the market, how fast are you able to react to it with Workflows?

It looks like a great tool, but for example right now I dont see any Sony cameras or Blackmagic etc.

I'm curious, because if Workflows is a main trancoding hub in a vfx facilily for example, it has to be able to work with any kind of inputs, right?

 

Thanks a lot, great stuff!

Martin

Edited by Martin Smékal

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