Templates

Hello there, hope you are all well. I am currently testing Mistika Workflows and what we need to automate is a Watch Folder that understand TIF sequences and converts them to ProRes 4444 with Alpha. I've managed to prepare a Workflow, but the result is on .mov for each frame. What am I missing? The TIF sequence is exported from TV Paint and it is named as: s009p05_C01-A_Linha_Panela_0001.tif I've read the HELP section for the Watcher node and understood that it should be able to identify sequences. Thanks in advance.

Hi there! Create fully automated post-production workflows that will contribute to a better media management with the complete set of features in Mistika Workflows. This template demonstrates how to efficiently filter and organize the contents of a folder based on various criteria. The first step involves filtering the media based on its frame rate (FPS), accepting only 23.98, 24, or 25 FPS. Any media with 30 FPS will be relocated to a separate location, while media with other FPS values will be deleted. Next, an extension filter is applied to the accepted media. Depending on the extension, different debayers are used to ensure accurate color space co…

Hi there! Automate your multi-master deliveries in just a few simple steps. You can have a look at this video to learn how to create this automation in just a few simple steps. The workflow is triggered automatically by the Watcher input node, which starts the process each time a clip is placed in its designated folder. After that, three versions will be created: an EXR in Linear light ready for production, an Apple ProRes review file, and a client version in H264. These versions can be uploaded and sent through various services such as Aspera and Signiant, as well as platforms like Frame.io, Vimeo, and YouTube. You can also set notifications ever…

Hi there! With this template you will start to explore all the different Metadata Management automation options Mistika Worklflows has to offer. Our platform reads all available metadata from source media, whether it is in RAW format or not. You can edit, modify, and export the metadata. The “Edit Metadata” node allows you to add additional information, such as custom comments, keywords, and production details to your media. This metadata can be exported without transcoding to CSV and XMP, both of which are fully compatible with DaVinci Resolve and the Adobe Suite. You can also generate metadata during the transcoding process and use it as dynamic toke…

Hi there! Using this template you will learn how to streamline ACES pipeline with Mistika Workflows. Our platform supports the latest ACES 1.3 version. By default, Mistika Workflows reads the source clip metadata and builds the necessary color space conversions during transcoding to different formats. In this example, we work with two formats: R3D and DNG from DJI drones. To set the R3D media to AP0 Linear, we connect a debayer node for RED files to the folder and configure the color space to ACES. This is possible because RAW formats typically include the IDT in their parameters, so we only need to select ACES for them (note that the required debaye…

Hi there! This template shows a sample easy-to-build workflow to automate your proxy creation process for editorial in three simple steps. 1) As an Input, we can use Folder or Watcher node, both set to filter the files by extension, reading only ARRI, R3D, Sony and Blackmagic RAW files (simply switch the connection to use one or another or deploy a Serialize node to use them both). 2) To create the proxies we can use ProRes or DNxHD* codecs, depending on the editorial software used in the pipeline. 3) Finally we can send a notification via email or Slack to the editorial team once the proxies are ready. Make sure to set up the nodes correctly…